![]() ![]() ![]() Ultimately I feel much more comfortable animating and am eager to produce more personal work. This was an unexpected outcome, as I didn’t view the animation process as an emotional outlet until reflection. Looking back on individual pieces, I can see certain thoughts and feelings I was experiencing at the time of creating the work. I found that producing and sharing work daily was highly motivating and encouraged me to try new ideas that I may not have pushed myself to explore otherwise. ![]() ![]() I loved watching relaxed doodles become polished moving pieces. Over the 30 days I learned a lot about my process and what I like to animate. This encouraged a greater production of ideas, sometimes resulting in a few days’ worth of animation concepts from just one brainstorming session. I also allowed myself plenty of time to sketch and play with ideas before choosing a concept to animate. I learned to pay attention to this and kept track of when I felt most creative to structure my days accordingly. Some days this was a challenge it’s difficult to produce creative work when you’re not feeling creative. This project is the first step towards realizing my goal.Įach animation began as a sketch on paper. The early application of a design thinking process to develop case themes and facilitate collaboration. The use of techniques such as 3d modeling, mapping, data visualization, video editing, animation, etc., to evaluate evidence, test theories, and enhance forensic analysis. I’ve always wanted to create a short animated film. Visual strategy vizh-oo-uhl strat-i-jee, n. I began the 30 Days of Animation to experiment and get into the routine of producing personal work daily. My personal work explores change, place, memory, and new perspectives. I’m an illustrator, graphic designer, and self-taught animator. Compiled together, they form a beautiful collection of thoughts and a day-dreamy, uplifting little film.īut as she tells us below, the process had also picked up imprints of how she had been feeling and in some ways become an emotional document of sorts along the way. But looking back, the process of creating a short animation every day for a month inherently captured more than she had been aware of at the time.Īs the name suggests, Ashleigh created a short, animated clip each day of the 30 days that the project covered. For Ashleigh Green, ’30 Days of Animation’ started as a simple exercise in motivation and encouraging a creativity. ![]()
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